Produced by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it results in a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from November 17.
